Brecht and Dudow Essay -- Film Analysis

Kuhle Wampe (Brecht and Dudow, 1931) is often noted as the first communist film produced in Weimar Germany and was produced by a collective of men, heavily involved in the formation and success of Weimar cinema. The collaborative team consisted of Hanns Eisler, who composed the musical score for Berlin: Symphony of a Great City (Walter Ruttmann, 1927), Ernst Ottwald, a distinguished novelist and screen writer, primary director Slatan Dudow who participated heavily in the production of Metropolis (Fritz Lang, 1927) and finally Bertolt Brecht. The aforementioned trio heavily influenced the industrialised surrounding that encompass’ the location and narrative of Kuhle Wampe, however, fellow script writer and co-director Bertolt Brecht had very little experience in film production –aside from aiding the preparation for Karl Valentin’s The Mysteries of a Hairdresser’s Shop (1923). Brecht’s influence upon Kuhle Wampe came much more in the form of philosop hical grounding, with himself, at the time developing his ‘materialist aesthetics’ in trying to conceptualise the answer to the question: ‘what is political art?’ Bringing together politics and art formulae, in this case montage, we can assess the messages that were conveyed through the use of montage and how it was used as a tool of political suggestion. From the opening sequence, Kuhle Wampe’s stylisation appropriates itself with that of Soviet Montage, of which is Sergei Eisenstein’s theories are based on the idea that montage originates in the "collision" between different shots in an illustration of the idea of thesis and antithesis. This basis allowed him to argue that montage is inherently dialectical, thus it should be considered a demonstration of Marxism and Hegelian philos... ...h the montage sequences in Kuhle Wampe. Works Cited Brooker, Peter (2004) â€Å"Key words in Brecht’s theory and practice of theatre† in Brecht. Eds. Peter Thomson and Glendyr Sacks. Cambridge University Press, Pp. 185-200. Eisenstein, Sergei; Jay Leyda (translator) (1947). The Film Sense. Hardcourt Brace and Company Eisenstein, Sergei; Jay Leyda (translator) (1977) The Film Form: essays in film theory. Hardcourt Brace and Company Kracauer, Siegfried (2004) â€Å"Montage† [from From Caligari to Hitler: A Psychological History of the German Film (1947)] in German Essays on Film. Eds. Richard W. McCormack and Alison Guenther-Pal. New York & London: Continuum, Pp. 181-189. Silbermann, Marc (1995) â€Å"The Rhetoric of Image: Slatan Dudow and Bertolt Brecht’s Kuhle Wampe or Who Owns the World† in German Cinema: Texts in Context. Detroit: Wayne State University Pp. 34-48.

The Choices That We Make Have a Negative and Positive Effect

We make choices every minute of the day. Some of the choices or decisions are conscious ones that we have thought of and made, most other times we have not thought that we are making them and they may effect us letter and they may effect others in one way or another. Those choices that we make have a negative effect on other people; people are connected to others in many unique ways. We make choices without thinking too much of the consequences.By the time the full impact of our choice hits us in the future, it is too late for regrets. In the essay the dying girl that no one helped â€Å"by London wainwright explains how other people choices tend to effect other people’s lives even by losing their own lives. The choices that we make have an adverse effect on other people however it may not be intentional. You never know what the next person is dealing with and how our choices can influence others decisions and charge their lives in different ways.The choices that we make affe ct others people’s dreams that they have made for their future charging some one’s dream is a positive thing to someone even in the essay of the dying girl that no one helped it talks about how someone tend to make choice and that choice effects the girl who was killed and had dreams for her future then he died cause no one came for help to be saved from throwing her dreams away. We are responsible for our choices ,and we have to accept the consequences of every deed ,word

Point of View Essay example - 704 Words

Point of view is something that many people argue as relativistic and subjective. To explain; it is the external circumstances and events that give reality shape or form which is dependent upon a single person. How does this relate to seeing? As I have mentioned before in a earlier paper we are all victims of our own biases and filters created through our outside means. As it becomes internalized and reflected back out towards the world which creates the binocular view as we have discussed in class lectures. The real question at this point becomes how these extensions of reality become a collective view-point? As an example at what point do we decide what blue is, what it is associations? I could be very off but, there always seems to be†¦show more content†¦Through this means it’s not reality that is relative for the person but, more so for the collective group†¦and anyone who deviates from that is considered an outsider†¦or do they have a less abstracted view of reality because, they can see the greater picture of reality? This also does not answer the question of individualism or identity†¦where and how then do those come into play?Okay let’s say the individual is a curial part of a collective. As there are common goals of the group no two people may approach it exactly the same way. So when reality for the collective is defined it can branch out in several directions. I had mentioned blue earlier as an example because of its many implications. Blue can mean; sad, cold, water, calm, etc. But all the descriptors can find a way back to the indispensable form. Thus, this can suggest that all things are inter-related to one necessary core. It’s similar to the aspect of language especially if you look at nouns we have to further define them with actions, appearance, the what, the how, and the why. This is also how paintings are defined with this specific word sets and combinations. Paintings are a creation of reality no a reproduction of realty based on human want to wrap and distort it. Photography is different it still is a reproduction but, it is also a mechanical representation of what we see†¦.film took that one step further with as the professor called it theShow MoreRelatedPoint Of View Interpretation In Henry Jamess The Turn Of The Screw1372 Words   |  6 PagesIn The Turn of the Screw, Henry James utilizes many aspects of the â€Å"point of view† technique, yet his most palpable use comes in the form of the first person narrator. 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